Cosmetics

If That’s What You Wanna Do: Makeup Inspired by the 1975’s Love Me

“Another post about the 1975?” you’re probably groaning. I know, it’s been weeks since their album came out and I’ve all ready mentioned them so many times…but the moment I saw the video for Love Me back in October, I knew I needed to play with their look.

Just Keep Lookin'

The video, directed by Diane Martel, featured the band partying with a horde of cardboard celebrities, but let’s face it: the real star of the show was Matty Healy’s makeup, as done by the incredibly artistic Jeffrey Baum. Powder blue and neon pink is a very particular colour combo, and definitely serves as a throwback to the kind of retro 80’s glamour the band is channeling, but Baum keeps it from looking dated by keeping lips clean and natural, tying it all together with dashes of dayglo liner.

Bright Liner in Love Me

Considering that “Serendipity” blue is one of Pantone‘s dual Colours of the Year, I decided to bust out my new Sephora Pantone Universe lipstick and do some role reversal. You’ve seen the blue eye pink lip combo a thousand times, but I’m always interested in paths less traveled. And considering the song’s New Wave influences, I thought it was appropriate to play with some heavy contouring and bright blush.

"Love Me" Spinoff Look

I used Sugarpill‘s Dollipop, Urban Decay‘s Savage, Bones, Alien, Truth, and Too Faced‘s Your Love is King to create a bold pink eye and blend it out into my contour, a la some of my New Romantic image idols. Then, using Dior‘s Dior Addict Fluid Shadow in Magnetic, I traced a silver line under my waterline before creating a second line in black liquid liner–everyone has their favourites, but mine is Urban Decay‘s Perversion. Extending the line beyond my natural eye on both sides, I let the inside corner fall downwards while the outside corner continued up.

"Love Me" Spinoff Look

Rather than creating a full line along my upper lash line, I joined the lower line with a wing on top and piled on the black mascara. Leaving a slight gap between the upper and lower lines creates an even larger-looking eye–something between a doll and a wild animal, two things everyone aspires to of course.

"Love Me" Spinoff Look

I filled in my brows as usual, and finished the look off with the fabulously blue Serendipity lipstick from Sephora’s Pantone Universe collection. For such a light colour, Serendipity goes on opaque with the first stroke, so application was painstaking–moreso because the bullet itself is a rather strange shape and doesn’t lend itself well to drawing lines or creating shapes. If you’re a dedicated brush-user or have a magic supply of blue lipliner, this probably won’t bother you. Personally, I think this shade is worth a little time and effort–it’s the perfect counterpart to the classic (cliché?) powder blue shadow.

"Love Me" Spinoff Look

While I love the clean neon liner seen on the video’s models, I felt like taking it back–Love Me via ’81 if it was done by Boy George. Naturally, this isn’t a look for some light afternoon shopping or a family dinner. Luckily for me, there’s never a lack of good dance parties in town, and with a New Order show the same night, I was in good company.

The next time you see an artist or model in a video you like, take a look at their makeup. I challenge you to create something from it, to turn it into something you identify with or feel strongly for. Not only does it inspire you to break out of your daily beauty routine, it also creates a unique place for you within the music. You strengthen your relationship not only with the song itself, but also with yourself–it really is amazing how far a little makeup can push the boundaries of our identities.

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Cosmetics, Reviews

Metamorphosis 142.0 – You’re My Obsession, Sephora + Pantone Universe Pt. 1

If you had asked me as a child what colour I liked most, I would have responded, “odden my wooaaaaah dodden.” For those of you that don’t speak nonsense, that would translate roughly to “orange is my faaaaaaavourite colour.” It might have even meant, “I’m obsessed with the colour orange.” I was. As a kid, I wanted everything orange: orange clothes, orange backpack, orange highlighters, orange notebooks, orange ribbons for my hair, heck I wanted orange hair. As I got older, the obsession waned. It was still my favourite colour, along with it’s more grown-up, peachy cousins, but it didn’t factor so heavily into my life. Aside from a brief flirtation with orange streaks in my hair as a teenager, orange sort of fell completely out of my rotation. These days, it’s rare I wear colour at all and when I do it’s some shade of blue or green…

But back in November, I laid eyes upon Pantone’s official 2012 Colour of the Year: Tangerine Tango. Suddenly, my love for bright, vivid, retina-searing orange came rushing back. I wanted an orange purse, orange shoes, orange gloves, orange scarves… but above all, I wanted an orange lipstick.

via Pantone

Unfortunately, it was harder to find these things than Pantone would have you believe: designers might have been all over this shade for 2012, but in late 2011, it was still an elusive beast. That is, until Sephora announced it was teaming up with the iconic colour company to bring us a line inspired by this year’s hottest swatch.

Naturally, I rushed out to purchase the set. I thought long and hard about what to buy, but the Collector’s Edition included a little of everything. And everything is what I wanted.

Under a shiny shield of protective plastic, the set includes the Color of the Year eyeliner in Tangerine Tango Twist, eyeshadow quad, Prisma Chrome blush, blush duo, creme lipstick, and lipgloss.

The Color of the Year eyeliner pencil is packaged in a self-sharpening plastic tube, though the base does come off to reveal a small plastic sharpener to reshape the tip of the liner.

The tip is smooth and the formula is creamy, so it does not pull or snag on the delicate skin of the eyes. I was actually quite impressed with the formula: I expected this to be a bit messy and smear easily, as most of the Sephora-made pencils I’ve tried have, but once set it stays in place amazingly well and lasts a good 12+ hours until I choose to remove it.

You can see that there’s a bit of silver sparkle to this liner, but it does not come off as gritty or flakey in the least. Swatched here over bare skin, I applied the top line thicker and heavier and the bottom line with less pressure.

The Color of the Year Eyeshadow Quad was the one product in this set I would not have purchased on its own. I haven’t been terribly impressed with Sephora’s pressed shadows in the past and I have tons of both orange and neutral shades. However, Sephora’s partner collections are always significantly better quality than their standalone shadows, so I thought I’d take the chance anyway. This is packaged in a sleek, magnetic palette much like the Inglot packaging I love.

Each of the shades in this quad correspond to Pantone colours, which I do find interesting. Clockwise from top left, Sparrow (Pantone #18-1404), Pavement (Pantone #19-3900), Carnelian (Pantone #16-1435), and Scallop Shell (Pantone #12-1010).

Used over a primer, these shadows are actually quite well-pigmented. They’re soft and easy to blend, and with the design of the palette extremely portable. I wouldn’t say these shades are particularly unique, but they are true to the theme of the collection.

The Prisma Chrome formula is fairly new to Sephora, though I admittedly have not tried their Prisma Chrome eyeshadows. It promises a soft, pigmented formula with eye-catching, light-reflecting shades. The Color of the Year collection came with this Prisma Chrome blush in Apricot Brandy (Pantone #17-1540).

For some reason, I expected this to be more of a creme-to-powder consistency, but it reminds me more of a baked powder in texture. I tried first to apply it with my fingers as I would a cream blush, but found that the super-fine powder stuck to my finger tip  and did not transfer well onto my face. That said, when applied with a brush, I get a shimmering wash of colour that lasts all day without transferring or fading in the slightest.

Of the blushes, this is the most orange. It’s a warm coral-orange with a strong gold shimmer. Swatched here heavier towards the top, blended out towards the bottom.

In case that wasn’t enough blush for one set, the Collector’s Edition also contains the Color of the Year Blush Duo. Packaged in the same sleek, magnetic palette as the eyeshadow quad, it consists of two large pans of blush in different finishes.

Desert Flower (Pantone #15-1435), shown here on the left, is a matte finish and appears significantly pinker than Coral (Pantone #16-1539) on the right, which has a gold shimmer.

Desert Rose, applied heavily at the top and blended out towards the bottom, is the lightest, pinkest shade in the set. It definitely leans peachy, but if I saw this shade on its own I wouldn’t consider it “orange.”

Coral is a bright peachy shade with a heavy golden shimmer. I have a few blushes in my collection that are quite similar to this one, but it does have a strong colour payoff that sets it apart.

However, my favourite products in this set by far are the lipstick and lipgloss. In fact, I feel like they deserve their own post. Stay tuned later this week for a full report!

Love you to the Moon and Back,

Luna Valentine

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